The Altered Dominant chord and its “sister chord,” Lydian Dominant, provide rich colors that are essential to the palette of intermediate and advanced jazz players. We take a deep look at the chords and their accompanying scales, examining how each is constructed, *why* they are constructed that way, and how they may be used to maximal effect. Their sounds are contrasted within the context of jazz (e.g. when should one be used rather than the other?), listening to examples of their use. This workshop is appropriate for students with little prior exposure to the subject, as well as students familiar with melodic minor harmony who wish to deepen their understanding.
Prerequisite: an understanding of basic theory and the mixolydian scale.